What is “terror”? There are many things that are scary, and they are all huge – in scale, scope, or both.
“Terror” was the name of a sailing ship that set out from England in 1846. One of the two ships sent to forge a trade route through the northwest passage was one of them. But fear also kept them from the cold; The mind-numbing temperatures froze the ship in place, slowly melting the sailors’ minds. However, fear is still something in the cold. It was a beast, if you believe that, but whatever it was, it was unrepentant, unsparing, and quick, killing the sailors before the temperature had taken them away.
The symbolic viewer may wonder whether all forms of terror are really just cold. Does ship and beast represent a clash of human and natural forces on earth, a chilling reminder of how effectively the world can destroy us if it is tampered with? Perhaps. But it’s clear that we are the ones who are terrifying. It’s them. On top of that, “horror” is a special that survives the horrors of the real but the unthinkable, and AMC has a “helluva frightfest” between the two.
Directed by David Kajganich and directed by showrunner and executive producer xiu (along with lp ridley Scott), “horror” is a limited series that tells you the whole story through a succinct introduction to the title card: “the most advanced” of the two ages of ships,HMS terror and HMS erebus set out through the arctic passage and disappeared. The last line claims they “disappeared”, but this is no longer entirely true. After Dan simmons had written his book, and before the series was published, the wrecks were discovered. Today, more is known about the fate of the ships than speculation about the series, but that is beside the point: this is a historical novel, a historical novel with a purpose.
For those interested in the consequences of theorizing and its deliberate meaning, horror is a fascinating exploration of the doomed voyage from a fictional but honest perspective. Events may not have gone exactly as described, but there was not a moment that was not worth it. That’s thanks in part to Jared Harris and a group of actors who have traditionally supported him or been little known. Given that most of the story takes place independently, on the ice (with the exception of a few optional flashbacks to Britain), the actors have to be top-notch to attract so much dialogue.
For the most part, they do. Harris completed a fairly long arc in 10 hours, handling sharp time jumps and subtle changes with the same insight. His captain, Francis crozier, was a flawed man, but he tried to make himself a credit. He has not escaped either the madness that gradually gripped his comrades (notably Tobias Menzies and Ciaran Hinds) or the descent into darkness that is common in extreme survival stories. A handful of characters who have lost hope are carefully hidden until there is no way out, while others oscillate between inevitable missteps and conquerable challenges based on well-placed backstories and calls for action.
The incredible performances are matched by stunning CGI and visual effects. Horror seemed to push the actor onto the ice and say, “good luck.” The crew may have taken refuge in heated tents and slept in comfortable hotels a few miles from the set during the filming, but they couldn’t have been shipped anywhere south of Greenland. However, almost everything was shot indoors in a studio in Budapest. The fake ice breaking together and the door opening is bringing a real chill, but the feat of visual magic proves that something as amazing as that is valuable: instead of one second you don’t feel the cold enveloping these burning people, which adds considerable power to the horror.
The only potential flaw in the series is its design: while using a mysterious monster to intermittently animate the action, of course, makes things more animated, it requires a special kind of patience to wade through these icy waters. To understand what drives our Shared hopeless quest, a clear willingness to engage in hopeless quest. Life — what makes it worth living? When separated from external influences, what remains important and what loses meaning? Giving up is easy, but the harder part is why it makes sense. There are scenes in horror where you want to look away (especially the ending, which is not for the squeamish), but kaeghanich and Hugh make each scene so purposeful (and with such exquisite detail) that you can’t help but dive into the darkness with them.
Terror creates madness, and one might say that this is similar to the world we live in. Of course, most americans are landlocked and our cities are warming every day, but we’re still stuck in a crazy, self-perpetuating cycle of fear. If this is your gateway to terror, go, but not necessarily. There are many aspects to fear, and one of them is sure to make you feel fear.
Horror premieres Monday, March 26 on AMC. The new season will air Monday at 9 p.m., and all episodes will premiere on AMC.
Terror season 1 review put all your eggs in one basket